It is also the interlaced field rate of NTSC video. HD cameras can record at this frame rate, which is compatible with NTSC video. Some 1080i HD cameras can record at this frame rate. This refers to the interlaced field rate (double the frame rate) of PAL. However, this format is almost never used today.* Before color was added to NTSC video signals, the frame rate was truly 30 FPS. Some HD video cameras can record at 30 FPS, as opposed to 29.97 FPS. HD video, early black and white NTSC video This number is sometimes inaccurately referred to as 30 FPS.* This has been the color NTSC video standard since 1953. Film is sometimes shot at 25 FPS when destined for editing or distribution on PAL video. Many HD formats (some SD formats) can record at this speed and is usually preferred over true 24 FPS because of NTSC compatibility. This is 24 FPS slowed down by 99.9% (1000/1001) to easily transfer film to NTSC video. Many high definition formats can record and play back video at this rate, though 23.98 is usually chosen instead (see below).įilm High definition video with NTSC Compatibility Movie theaters almost always use this frame rate. This is the universally accepted film frame rate. PAL and SECAM use 25 FPS in Europe and in Japan they use 29.97 NTSC.īreakdown of Frame Rates from Final Cut Pro: 24 FPS Television does not have an internationally accepted frame rate. It is based on the look you want to achieve. Movies and films are almost exclusively projected at 24 frames per second. There isn’t technically a “best frame rate” for shooting video. The frame rates for TV and films are standardized by The Society of Motion Picture and Television Editors, also known as SMPTE. A frame rate refers to the number of individual frames or images that are displayed per second of film or TV display.

Hqplayer play at actual rate